Showing posts with label Blinds. Show all posts
Showing posts with label Blinds. Show all posts

Thursday, 19 May 2011

A Private Function

Interiors

An Englishman’s home is their castle, so interior designer Jamie Hempsall explores ways to keep your domain stylishly private


 The net curtain used to be the true mark of middle-England domesticity, a sparkling white set demonstrating a well-kept and respectable home.  Of course, their true role was to ensure privacy for the householder, whilst affording them a surreptitious view into the outside world and access to filtered natural light. 

The humble net has fallen out of favour in recent years.  However, there is still a real need for many of us to be able to ensure our homes retain an element of privacy; not to mention to provide protection from direct sunlight for delicate fabrics and furniture.

The most obvious modern day replacement for the net curtain is the voile which filtered over from the Mediterranean market as people sort to recreate the lighter look seen there.  These window treatments are usually made from cotton, rayon or silk and come in an array of patterns and colours.  They work best made up as curtains, with a generous allowance of fabric (allow two and a half times the width of your window as a minimum) and benefit from a pinch pleat heading.   If you are thinking of making them up yourself, be aware that voiles can be difficult fabrics to work with and only purchase header tape specifically made for them.


However, in the last five years strings have become a fashionable alternative after serving their apprenticeship demarking VIP areas in some of the trendier nightclubs.  Strings inject an element of chic and a contemporary update to any interior scheme.  I find they work equally well as a stand-alone window treatment or a supplement to curtains. Many ranges come in the form of vertical blinds which are no longer the hideous product once associated with 1960s office blocks, but provide a subtle alternative to allow the householder to vary the impact of direct sunlight and external view. 

Despite appearances String Blinds are incredibly hard-wearing and perfect for high traffic areas such as patio doors where you can keep them closed, but still pass through easily (although you may find barbeque guests finds it difficult to resist making a “ta-dah” entrance into your garden!).  The product is usually laser cut to the exact length you require and most companies offer them in a wide array of colours which should satisfy even the most vibrant interior scheme.


I have also used semi-translucent gauze roller blinds to great effect over the years, particularly in places such as dining rooms where delicate woods can become easily damaged by direct sunlight.  Opting for a more ornamental finish ensures confidence that these blinds will enhance your scheme, rather than being a necessary evil.  Whenever, I use roller blinds, I generally opt for a chain lift mechanism, rather than spring-pull as I find that they are much easier to use and require less maintenance.  I would definitely also recommend installing remote control operated blinds for windows that are harder to access (battery and solar powered options now make these a more cost effective option).


Sometimes, privacy can be a bit more of an issue and, therefore, you may want to seek something that has a more permanent feel – particularly at night when voiles and translucents effectively become see-through when back lit.  The traditional venetian blind offers one of the best ways to block out the exterior, whilst allowing light in and is experiencing another period of popularity, having last seen true dominance in the stripped back interiors of the early nineties.  The sheer range of finishes that are now available, from natural woods to slats that can be custom colour-matched to your walls, make these a terrifically versatile product.  They tend to work best with modern interiors and in places where you do not have other window dressings. 

If you are considering using venetian blinds in a bedroom as your main window treatment and your sleep is affected by light, be aware that many mechanisms do still allow a lot of light pollution even when fully closed.  However, new mechanisms are available from a small number of companies (such as Shuttercraft) that provide a more effective blackout solution, they are only slightly more pricey, but definitely worth the investment if this is likely to be a problem for you.

Although previously more popular in the American market, slated shutters are also now being introduced more widely into UK homes.  This does tend to be a more significant investment and a very definitely style statement, but they are incredible effective and, as they tend to be made-to-measure, can help provide excellent solutions to non-standard window shapes.


Of course, if you are really looking for the ultimate in day-time privacy, but do not want to consider the option of blinds or shutters take a tip from Hollywood and look directly to your windows.  One-way glass where the occupant can see out, but the outsider just sees a mirrored finish is now much more commonly available, if a little pricey.  If you do not want the expense of replacing your windows, are extremely methodical and good at DIY then you can achieve a similar effect by applying a mirrored window film which is available on-line from just a few pounds.  

Don’t blame me though if your home ends up on a map of the “Rich and Famous”.

Jamie Hempsall is a member of the British Institute of Interior Design and an award winning interior designer.  Visit him at www.jamiehempsall.com or call 0800 0321 180.

Friday, 15 October 2010

The interiors retro love affair continues!

Interiors


Directly on the heels of London Fashion Week comes its Interior Design equivalent, Decorex, where companies showcase new products and design for the coming year. Interior Design Jamie Hempsall presents his picks of the season.

There is renewed optimism in the world of interiors with fabric companies launching a wider number of collections than we have seen in the last couple of years.

The big stories this autumn are geometrical patterns, as design companies continue their retro love affair with all things 1930s and 1950s, and stripes which are returning with renewed confidence and gusto.

There is nothing boring about any of these retro chic interpretations which may take influence from the mid 20th century, but have been updated with injections of strong colour and daring interpretation. Texture and comfort are also very important this season with a range of geometric patterns being introduced in tactile cut velvet. Of note too are some new digital printed fabrics being introduced (in particular by Designers Guild) which are blending photographic quality large prints onto intricate designs. These are bold and brash statements that herald the onslaught of a potential design revolution.

Here are my favourite picks from this season's collections.

The Juniper range from Harlequin (pictured above) is pure 1950s with wonderful visions of leaves (Orletta, £59/mtr) and seed heads (Kerria, £34/mtr or Spirea £52/mtr) in a range of colourways including red, purple and orange on simple backgrounds (www. harlequin.uk.com – 0845 123 6805).

There are brilliant re-interpretations of mid-20th century geometrical patterns in contemporary colours on plain backgrounds in the Casson Range from Romo which also features a series of relaxed woven stripes (from £42.50/m). The Ellise range of decorative weaves from Romo is a beautiful collection of soft contemporary cut velvets featuring almost art deco style patterns in bold, confident colour (from £129.95/m; www.romo.com – 01623 756 699).

The Mosaic velvet cut and loop pile range from Zoffany has a more muted colour palette, but provides a rich, plush feel. The striking designs are easy on the eye and would integrate well into any virtually any style of interior. Patterns have been cut and woven to create both visual and textural interest (£79/m; www.zoffany. com – 0844 543 4600).

More beautiful geometry is found in the Maharani range from Osborne & Little, a range of printed designs featuring interlocking cubes and handsome block stripes inspired by Armenian and Iranian architecture (from £34.08/m; www.osborneand little.com – 020 7352 1456).

Leading the way in the introduction of the modern stripe is Designers Guild with their Bernadini collection (in particular the Phipps and Egmont patterns). These are available in a wide range of imaginative colourways and feature exciting new types of velvet (£70/m; www.designers guild.com – 0207 893 7400).

Equally appealing is the new Oscura stripe from Osborne and Little. This is a range of two-tone stripes blackout fabrics (ideal for blinds and curtains) with a companion striĆ© plain in 16 different colourways (£29.38/m; details as before).

If you are looking for more lightweight fabrics then I would seek out the new collections from Malabar. Their Kilo range features simple, but effective lightweight and sheer linen cotton stripes in an array of muted colours (£29/m).

For those wanting something bolder, their Inka range includes more dramatic stripes and some heavy linen herringbone plains in stronger shades from earthy brown to juicy raspberry (£29/m; www. malabar.co.uk – 020 7501 4200).

A lot of the fabric ranges produced this season come with co-ordinating wallcoverings which echo their geometric designs and contemporary colours. The exciting news for decorators is that new production techniques mean that many ranges are now being developed in non-woven finishes so that you apply paste to the wall making hanging them far easier – seek these out for a hassle free makeover.

•You can contact Jamie Hempsall for advice or more details on any of the new season's ranges at www.jamiehempsall.com or on 0800 0321 180

Wednesday, 2 September 2009

Make room to relax with a stylish conservatory



Yorkshire Post - 26th August 2009 - Life & Style Section : Homes

Interiors

Interior Designer Jamie Hempsall looks at how to ensure your conservatory is a stylish and useful addition to your home.

We are frequently asked by clients how to ensure their conservatory is a space to be enjoyed all year round without being too hot in the summer or cold in winter. If we are working on a new design we deploy all of the latest technology (such as thermostatically controlled roof vents with rain sensors), but with a few adjustments any problem conservatory can be a wonderful addition to your home.Reasonable temperature and good ventilation are the keys to success.

Conservatories generate heat via solar gain; however, installing a heating system can extend the time you use it well into the evenings and winter months (particularly for a North facing room). Under-floor heating is especially useful, allowing a general flow throughout the room and ensuring your views and usable areas are uninhibited by radiators.It is also vital to have enough ventilation to prevent your room becoming stuffy, especially in South facing conservatories which tend to be exposed to longer hours of direct sunlight.

Jane Hindmast of Vale Garden Houses (www.valegardenhouses.com; 01476 564433) advises that “you need to ensure cooler air enters the room through the sides, with hot air being expelled through the roof. Side ventilation can take the simple form of doors, side opening or top opening windows, with airflow being achieved through the use of roof vents, top hung windows or rising canopies.”

Ceiling fans also help control temperature. In the summer run them clockwise and reasonably fast to create a more directed down draft. In the winter reverse the direction of the fan and lower the speed to re-circulate warm air trapped at the top of roof without cooling it. Ensure your fan has blades large enough for the size of your conservatory; can run at variable speeds to allow maximum control and is not placed too near to the roof (to give it sufficient air to work with).

Blinds are not only decorative, but also help reduce heat and glare. Keep them simple so the focus remains on your exterior views and have blinds professionally made-to-measure to ensure the best fit. Sail cloth is a great fabric for ceiling panels and, if designed correctly, can be made to fold back so that they are barely visible when not in use. Roller blinds or wooden Venetian blinds are terrific for side windows and doors.

If choosing glass for a conservatory, opt for a specialist product such as Pilkington K Glass or Ultraframe’s Conservaglass which are designed to keep external heat out in the Summer, but reflect emissions from heating appliances back into the room in Winter. Both glasses also come in self-cleaning versions which will help preserve clear views and minimise maintenance.

Provide plenty of electrical points for flexible lighting from table lamps to maximise use throughout the year and add wall lights on dimmers to provide controllable ambience. A central ceiling hook that can carry considerable weight, with electrical provision, will allow you to include a feature chandelier (important if using your conservatory as a dining room) or a powerful fan.

To complete the look, furnishing should reflect the style of the rest of your home, with a nod to the outdoors. Remember it is a room, not an afterthought. Any furniture must be able to cope with rapid temperature change and heat. Avoid dark colours, especially reds, as these can quickly fade. Strong options are furniture made from Rattan (a climbing plant found in Malaysia) which is lightweight and durable or Lloyd Loom (a woven twisted paper wound around re-enforced wire) very popular in the 20s and 30s, but still cutting edge today. Consider the Babbington Range by Lloyd Loom of Spalding from £599. Upholstering your furniture in fabric designed for use outdoors will ensure both comfort and longevity.

Jamie Hempsall is a BIDA member and one of the region’s leading interior designers. See more hints and tips at his website www.jamiehempsall.com or contact him on 01777 248463.